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	<title>Comments on: Lil Wayne: best marketer alive (and why he blew up in 2008)</title>
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		<title>By: Matt</title>
		<link>http://www.mdaniels.com/lil-wayne-best-marketer-alive-and-why-he-blew-up-in-2008/comment-page-1/#comment-89</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Tue, 28 Apr 2009 05:05:53 +0000</pubDate>
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		<title>By: Matt Daniels</title>
		<link>http://www.mdaniels.com/lil-wayne-best-marketer-alive-and-why-he-blew-up-in-2008/comment-page-1/#comment-348</link>
		<dc:creator>Matt Daniels</dc:creator>
		<pubDate>Wed, 11 Feb 2009 07:47:55 +0000</pubDate>
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		<description>Hiphop loves mixtapes--but two of my favorite mixes, The Gray Album and Gnotorious (Jay-z/Beatles and Gnarls Barkley/Biggie), were both suppressed by the media companies. Perhaps this is a conflict of old media not understanding the music culture.&lt;br&gt;&lt;br&gt;Regarding freemium, I havn&#039;t researched it enough to make an opinion. At best, anything that can be copied will drive towards zero cost, so you have to assume something will give. LiveNation has an interesting business model--perhaps this is the pot of gold for the industry.</description>
		<content:encoded><![CDATA[<p>Hiphop loves mixtapes&#8211;but two of my favorite mixes, The Gray Album and Gnotorious (Jay-z/Beatles and Gnarls Barkley/Biggie), were both suppressed by the media companies. Perhaps this is a conflict of old media not understanding the music culture.</p>
<p>Regarding freemium, I havn&#39;t researched it enough to make an opinion. At best, anything that can be copied will drive towards zero cost, so you have to assume something will give. LiveNation has an interesting business model&#8211;perhaps this is the pot of gold for the industry.</p>
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		<title>By: alexjmann</title>
		<link>http://www.mdaniels.com/lil-wayne-best-marketer-alive-and-why-he-blew-up-in-2008/comment-page-1/#comment-349</link>
		<dc:creator>alexjmann</dc:creator>
		<pubDate>Wed, 11 Feb 2009 05:46:34 +0000</pubDate>
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		<description>Something to consider is that hip-hop music culture has always thrived on the &quot;mixtape,&quot; even in the early golden days.  If you can&#039;t sell it, you push out of the back of your truck until you can.&lt;br&gt;&lt;br&gt;It&#039;s a culture of hustle, which is represented in the music.  I agree freemium is where the music industry HAS to go (no other choice), but will the freemium model keep the artists afloat?  I admire Lil&#039; Wayne (and the marketing folks responsible for the majority of his moves), but will freemium work outside of hip-hop?</description>
		<content:encoded><![CDATA[<p>Something to consider is that hip-hop music culture has always thrived on the &#8220;mixtape,&#8221; even in the early golden days.  If you can&#39;t sell it, you push out of the back of your truck until you can.</p>
<p>It&#39;s a culture of hustle, which is represented in the music.  I agree freemium is where the music industry HAS to go (no other choice), but will the freemium model keep the artists afloat?  I admire Lil&#39; Wayne (and the marketing folks responsible for the majority of his moves), but will freemium work outside of hip-hop?</p>
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		<title>By: Matt Daniels</title>
		<link>http://www.mdaniels.com/lil-wayne-best-marketer-alive-and-why-he-blew-up-in-2008/comment-page-1/#comment-38</link>
		<dc:creator>Matt Daniels</dc:creator>
		<pubDate>Wed, 11 Feb 2009 02:47:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.mdaniels.com/?p=309#comment-38</guid>
		<description>Hiphop loves mixtapes--but two of my favorite mixes, The Gray Album and Gnotorious (Jay-z/Beatles and Gnarls Barkley/Biggie), were both suppressed by the media companies. Perhaps this is a conflict of old media not understanding the music culture.&lt;br&gt;&lt;br&gt;Regarding freemium, I havn&#039;t researched it enough to make an opinion. At best, anything that can be copied will drive towards zero cost, so you have to assume something will give. LiveNation has an interesting business model--perhaps this is the pot of gold for the industry.</description>
		<content:encoded><![CDATA[<p>Hiphop loves mixtapes&#8211;but two of my favorite mixes, The Gray Album and Gnotorious (Jay-z/Beatles and Gnarls Barkley/Biggie), were both suppressed by the media companies. Perhaps this is a conflict of old media not understanding the music culture.</p>
<p>Regarding freemium, I havn&#39;t researched it enough to make an opinion. At best, anything that can be copied will drive towards zero cost, so you have to assume something will give. LiveNation has an interesting business model&#8211;perhaps this is the pot of gold for the industry.</p>
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		<title>By: Alex</title>
		<link>http://www.mdaniels.com/lil-wayne-best-marketer-alive-and-why-he-blew-up-in-2008/comment-page-1/#comment-37</link>
		<dc:creator>Alex</dc:creator>
		<pubDate>Wed, 11 Feb 2009 00:46:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.mdaniels.com/?p=309#comment-37</guid>
		<description>Something to consider is that hip-hop music culture has always thrived on the &quot;mixtape,&quot; even in the early golden days.  If you can&#039;t sell it, you push out of the back of your truck until you can.&lt;br&gt;&lt;br&gt;It&#039;s a culture of hustle, which is represented in the music.  I agree freemium is where the music industry HAS to go (no other choice), but will the freemium model keep the artists afloat?  I admire Lil&#039; Wayne (and the marketing folks responsible for the majority of his moves), but will freemium work outside of hip-hop?</description>
		<content:encoded><![CDATA[<p>Something to consider is that hip-hop music culture has always thrived on the &#8220;mixtape,&#8221; even in the early golden days.  If you can&#39;t sell it, you push out of the back of your truck until you can.</p>
<p>It&#39;s a culture of hustle, which is represented in the music.  I agree freemium is where the music industry HAS to go (no other choice), but will the freemium model keep the artists afloat?  I admire Lil&#39; Wayne (and the marketing folks responsible for the majority of his moves), but will freemium work outside of hip-hop?</p>
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